Given how huge the first Matrix film’s soundtrack was, the makers knew they had to match it for the sci-fi thriller’s big-budget sequel. Not a bad flick, but a fucking killer album. ![]() That said, the movie’s soundtrack is without question better than the film itself, with tracks by Ill Niño, Killswitch Engage, Chimaira and DevilDriver illustrating that the movie’s makers had their fingers on the pulse of modern metal at the time. While the film has significant flaws, it’s also got a lot of slasher charm (the whole fire/water dichotomy was kind of cool). The soundtrack’s slight lean towards extremity made it far better than others like it, though it’s a shame that the movie did the Count such an injustice.įuck it, we’ll say it: we actually like Freddy vs. That said, the soundtrack includes some truly exceptional tracks - Slayer’s “Bloodline,” Pantera’s “Avoid the Light,” and Linkin Park’s “One Step Closer” among them. ![]() Unfortunately, the film was made during the height of industry excess, resulting in some awful costumes, cringey performances, and ridiculous one-liners. On paper, Dracula 2000 sounded cool - Count Dracula reawakening in contemporary America and starting a new army of the undead. The sound of ham slices hitting a wall would be more interesting than this confused Vin Diesel vehicle there’s a scene where Vin says something to a cop like, “Stop thinking Prague Police, start thinking Playstation!” But the OST’s inclusion of Hatebreed, Rammstein, and Queens Of The Stone Age definitely helped this movie make up for its lackluster script and acting. If we’re being perfectly honest, any soundtrack would be better than XXX. No shade on Wes Craven - we all have bills to pay. The result was a soundtrack purchased with an excuse on the lips of the buyer - Hey, I hated the movie, too, I just kind of dig this Orgy track. But Scream 3 ’s soundtrack contains a who’s-who of heavy music’s hottest names in 2000 (Slipknot, System of a Down, Sevendust), not to mention tracks by some impressive up-and-comers (Finger Eleven, Full Devil Jacket). Who would have thunk?īy its third installment, the Scream franchise had become deeply confused, overfocused on matching the original’s profits and switching out the ‘scary movie’ meta moments for broad Hollywood commentary. But you know what’s better than a cinematic examination of a music scene? The music scene! The Singles soundtrack, featuring pounding tracks by Alice In Chains, Soundgarden, Smashing Pumpkins and Pearl Jam (who actually portray Matt Dillon’s band Citizen Dick in the movie) is a much more accurate and compelling look into what was going on in the Pacific Northwest than this stark romantic comedy. There’s no grown-up cartoon greater than Monster Magnet.Īs a whole, Singles isn’t a terrible film, especially as a snapshot of the then-exploding grunge scene in Seattle. That said, the soundtrack, featuring original songs by Pantera, Coal Chamber, Machine Head, and Bauhaus, was fucking awesome, elevating it far above the film for which it was released. Instead, this confused retelling of Simon Bisley’s Melting Pot felt long, typical, and not nearly titillating enough. The long-awaited sequel to 1981’s epic animated film Heavy Metal was supposed to be a cult smash, an underground animated blockbuster whose violence and nudity would instantly win over rock and metal fans (it even included the voice talents of late Heavy Metal Magazine model Julie Strain). ![]() Here are 12 soundtracks that easily surpassed the movies they were made for in terms of artistic merit… There was nothing sadder than watching some frosted-tip megastar trying to promote their new blockbuster on camera and then being asked what they thought of Slipknot, and sadly, that was much of Hollywood around the turn of the millennium. The truth is that these soundtracks often shone far brighter than the shit sandwiches to which they were attached. Unfortunately, the movies weren’t always as promising. The result was a legion of metalheads discovering their new favorite artists via film-centric compilations, and soundtracks selling like hotcakes. Not only that, but these soundtracks were places where record companies could try out new bands and give old hands a chance to share some of their bonus tracks. ![]() The intensity of contemporary metal and hard rock in the ’90s and early 2000s made it perfect backing music to horror and action flicks. For a hot second, movie soundtracks were where heavy music fans could find some of the best metal, hardcore, punk and industrial out there.
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